BA Senior Group Exhibition
On Exhibit: May 3 - May 11, 2019 in Ramsey Library's Blowers Gallery and in Highsmith Union's Intercultural Galler
Reception: Friday, May 3 from 6 - 8 pm.
Fourteen students will present a portion of their senior portfolio in Blower’s Gallery in Ramsey Library and Highsmith Intercultural Gallery. This show is the last step for students to earn their Bachelor’s of Arts in Art. Students’ studio art concentrations include Ceramics, Drawing, Painting, Photography, Printmaking, and Sculpture. The opening reception will be held on Friday, May 3rd from 6:00pm-8:00pm in both locations and the exhibits will be up May 3 – May 11, 2019.
Students included in the exhibition: Brianna Speight (painting), Deanna Brown (painting), Amanda Foor (painting), Ariel Shefsky (painting), Brent Boehmer (sculpture), Amanda Emery (drawing), David Hallyburton (drawing), Sydney Khan (drawing), Konrad Sanders (sculpture), Carly Gee (ceramics), Corabelle Brindle (ceramics), Natalie Rossetti (printmaking), Jonathan Freeze (printmaking), Karly Hartzman (photo)
Brown V. Board of Education
In Pursuit of Freedom and Equality: Kansas and the African American Public School Experience, 1855-1955
On Exhibit: April 4-24, 2019 Ramsey Library, Main Level
This exciting visual presentation uses images and text to share little known facts about the history of the Brown decision. Today few people realize that as early as 1849 African Americans fought the system of education in this country that mandated separate schools for their children based solely on race. In many instances these schools were substandard facilities with out-of-date textbooks and often no basic school supplies. What was not in question was the dedication of the African American teachers assigned to these schools.
This chronological look at the history of Brown leaves the viewer with a clear understanding that efforts still continue across the country to realize the dream of individuals and organizations that challenged a system that would deny them access to equal educational opportunity and their basic civil rights. This Exhibit was created and is circulated by the Brown Foundation for Educational Equity, Excellence, and Research.
Additionally part of this display are a collection of banners depicting the history of desegregation in Buncombe County. These posters can be seen on the walls surrounding the In Pursuit of Freedom Exhibition and will be available throughout the exhibition in Ramsey Library.
International Photo Contest 2018 Winners
Artist: Students, Faculty, Staff
On Exhibit: April 1-16, 2019
Ramsey Library Blowers Gallery is proud to host this exhibition of winning photos from the Study Abroad Office's International Photo Contest. A reception with the photographers will take place from noon-1 p.m. on Tuesday, April 9, in the gallery. The exhibition and reception are free and open to everyone.
Photos were awarded in four different categories: cross-cultural, nature’s beauty, people, and reflections. The Chancellor’s Purchase Award photo, Llama en los Andes, was taken in Peru by UNC Asheville senior Virginia Taylor. The Chancellor’s Purchase Award Runners Up are My Kindergarten Students in China, by senior Amy Brown, and Fire in the Amazon, taken in Ecuador by senior Brenna Tull. Blowers Gallery is open during regular library hours.
Appalachian Studies Association Exhibit
On Exhibit: March 1-31, 2019
Part of UNC Asheville and Mars Hill University’s co-hosted 42nd annual Appalachian Studies Association Conference held March 14-17, 2019 on the UNC Asheville campus, this exhibit features materials from various Western North Carolina Archives and Special Collections.
The exhibit was assembled by Gene Hyde, Head of Special Collections at UNC Asheville, and Karen Paar, Director of the Southern Appalachian Archives at Mars Hill University.
Participating collections include UNC Asheville, Mars Hill University, Western Carolina University, Appalachian State University, NC Room at Pack Library, Western Regional Archives, Blue Ridge Parkway Archives, Warren Wilson College, Penland School of Crafts, Biltmore Industries, Carl Sandburg House, and Swannanoa Valley Museum.
Artist: David Hopes
On Exhibit: February 1-28, 2019
Perimeter explores the possibilities of the heavily textured canvas. In a usually narrative and representational painter such as myself, these works also investigate the question of how little is enough to make a coherent statement. All works are oil and mixed mediums (usually sand) on canvas. -David Hopes
Ad Lucem: Masking and the Resilience of a Human Spirit
Artist: Shawn Winebrenner
On Exhibit: January 10–30, 2019
My photography process involves dissecting the fundamental aspects of the things that are a part of my overall being — as a human, as an artist, and as a same-gender loving man of color. It works as an extension of my personal journey, commentary on human interactions, and the varied commonalities that unite us. My creative process is moving me closer towards better understanding the juxtaposition of who I authentically am, as an individual, and the person the world thinks I am. This body of work explores masking, a human coping mechanism used to conform to collective social pressures which often locks individuals into a continuous engagement of behavioral modifications. In an attempt to please others, maintain relationships, and hold appearances genuine emotions are frequently substituted for artificial ones. This work visually interprets the practice of masking, shown through a series of photographic images, as it relates to my own personal experiences. My hope is to initiate dialogue among people about similar life occurrences and establish connections as they relate the images to their own practices of masking.
What We Saw
On Exhibit: November 1–16, 2018
Images made for the Resettlement and Farm Security Administrations in the 1930s documented dire environmental conditions in rural America caused by drought, erosion, and crop-killing pests such as grasshoppers, all exacerbated by the collapse of the stock market and economic depression. The result was widespread need and desperation in the American heartland. Photographs by Arthur Rothstein and others provided visual evidence of the extent of the crisis as well as justification for new federal programs to help alleviate the suffering.
We're excited to host our 3rd annual IN CHARACTER event on 10/31 from 1PM-3PM. The library celebrates the stories and characters that populate our collective imagination. Halloween allows us to both playfully encounter fear and to engage with the characters inhabiting our culture. This event celebrates both. The library invites students, faculty and staff to enter our contest and have photos taken or simply enjoy our treats and Halloween and Day of the Dead resources. This is always a favorite event, and a fun afternoon addition to students' Halloween festivities.
The festivities continue on Nov 1 and 2, with a Dia de los Muertos display, to which all are welcome to contribute photos of those they would like to remember.
Special Collections recently added the Isaiah Rice Photograph Collection to our archives. Containing over 1,000 images taken by Isaiah Rice, the collection documents Asheville’s African American community from the 1950s through the 1970s. The collection was officially unveiled on October 23 at the second annual African Americans in Western North Carolina Conference at UNC Asheville.
Asheville native Isaiah Rice (1917-80), a World War II veteran, was active in community and civic affairs. He was a recreation supervisor at the Burton Street Community Center in his neighborhood, and served on the Asheville-Buncombe Community Relations Council. He was employed as a warehouseman and beverage salesman for 40 years. He often carried one of his many cameras, seizing countless opportunities to capture his family, neighbors, and community members on film. He photographed people at church, his neighbors and friends as they gathered for social events, folks attending parades and football games, as well as many scenes of people working and going about their business in downtown Asheville. His photos document a thriving African American community in urban Asheville during the mid 20th century.